My rating: 5 of 5 stars
Peter Pan is one of those stories that most everyone knows about, but for some reason or another have never read the book. And the book (more a novella than a full-sized novel) is truly exceptional.
The narrator, author J.M. Barrie, maintains a tone that is as if he is actually telling children a bedtime story. The imagination open and soars as the story unfolds as slick as ice one skates upon:
“The night’s work was not yet over, for it was not the redskins [Hook] had come out to destroy; they were but the bees to be smoked, so that he should get at the honey. It was Pan he wanted, Pan and Wendy and their band, but chiefly Pan.
“Peter was such a small boy that one tends to wonder at the man’s hatred of him. True he had flung Hook’s arm to the crocodile; but even this and the increased insecurity of life to which it led, owing to the crocodile’s pertinacity, hardly account for a vindictiveness so relentless and malignant.
The truth is that there was a something about Peter which goaded the pirate captain to frenzy. It was not his courage, it was not his engaging appearance, it was not –. There is no beating about the bush, for we know quite well what it was, and have got to tell. It was Peter’s cockiness” (pg. 112).
The writing, even an adult can enjoy, is deft and flawless.
“One green light squinting over Kidd’s Creek, which is near the mouth of the pirate river, marked where the brig, the Jolly Roger, lay, low in the water; a rakish-looking craft foul to the hull, every beam in her detestable like ground strewn with mangled feathers. She was the cannibal of the seas, and scarce needed the watchful eye, for she floated immune in the horror of her name” (pg. 125).
That’s but one paragraph among many showcasing Barrie’s skill as both writer and storyteller; for after all: these are not one in the same.
Some of the things not often found in Pan movies: After Peter Pan saves Tiger Lily from Capt. James Hook at Mermaids’ Lagoon, the Never Bird saves Peter from drowning (Pan is too injured to fly or swim); Tinker Bell does die, as well as Nana, beloved nurse-dog; and the crocodile finally has the full meal of Capt. Hook; and Pan, who has forgotten there ever was a Capt. Hook and Lost Boys, flies off with Jane, Wendy’s daughter in the end.
Wendy and Michael and John return from their long journey to the Neverland and embrace their mother, Mrs. Wendy Darling. And how my heart was moved when I read this passage, thinking I too have lived such a fate:
“There could not have been a lovelier sight; but there was none to see it except a strange boy who was staring in at the window. He had ecstasies innumerable that other children can never know; but he was looking through the window at the one joy from which he must be for ever barred” (pg. 152).
A recommend for any and all. A wonderful story. A beautiful story.
The American novelist CG FEWSTON has been a Visiting Scholar at the American Academy in Rome (Italy), a Visiting Fellow at Hong Kong’s CityU, & he’s a been member of the Hemingway Society, Americans for the Arts, PEN America, Club Med, & the Royal Society of Literature. He’s also a been Fellow of the Royal Society of Arts, Manufactures and Commerce (RSA) based in London.
He’s the author of several short stories and novels. His works include A Father’s Son (2005), The New America: A Collection (2007), The Mystic’s Smile ~ A Play in 3 Acts (2007), Vanity of Vanities (2011), A Time to Love in Tehran (2015), Little Hometown, America (2020); A Time to Forget in East Berlin (2022), and Conquergood & the Center of the Intelligible Mystery of Being (2023).
Forthcoming: The Endless Endeavor of Excellence.
He has a B.A. in English, an M.Ed. in Higher Education Leadership (honors), an M.A. in Literature (honors), and an M.F.A. in Creative Writing & Fiction. He was born in Texas in 1979.
You can follow the author on Facebook @ cg.fewston – where he has 470,000+ followers
“Readers of The Catcher in the Rye and similar stories will relish the astute, critical inspection of life that makes Little Hometown, America a compelling snapshot of contemporary American life and culture.”
“Fewston employs a literary device called a ‘frame narrative’ which may be less familiar to some, but allows for a picture-in-picture result (to use a photographic term). Snapshots of stories appear as parts of other stories, with the introductory story serving as a backdrop for a series of shorter stories that lead readers into each, dovetailing and connecting in intricate ways.”
“The American novelist CG FEWSTON tells a satisfying tale, bolstered by psychology and far-ranging philosophy, calling upon Joseph Campbell, J. D. Salinger, the King James Bible, and Othello.”
“In this way, the author lends intellectual heft to a family story, exploring the ‘purity’ of art, the ‘corrupting’ influences of publishing, the solitary artist, and the messy interconnectedness of human relationships.”
GOLD Winner in the 2020 Human Relations Indie Book Awards for Contemporary Realistic Fiction
FINALIST in the SOUTHWEST REGIONAL FICTION category of the 14th Annual National Indie Excellence 2020 Awards (NIEA)
“Fewston’s lyrical, nostalgia-steeped story is told from the perspective of a 40-year-old man gazing back on events from his 1980s Texas childhood…. the narrator movingly conveys and interprets the greater meanings behind childhood memories.”
“The novel’s focus on formative childhood moments is familiar… the narrator’s lived experiences come across as wholly personal, deeply felt, and visceral.”
American Novelist CG FEWSTON
This is my good friend, Nicolasa (Nico) Murillo, CRC, who is a professional chef & a wellness mentor. I’ve known her since childhood & I’m honored to share her story with you. In life, we all have ups & downs, some far more extreme than others. Much like in Canada, in America, the legalization of marijuana has become a national movement, which includes safe & legal access to cannabis (marijuana) for therapeutic use & research for all.
“This is a wellness movement,” Nico explains. The wellness movement is focused on three specific areas: information, encouragement, & accountability.
In these stressful & unprecedented times, it makes good sense to promote & encourage the state or condition of being in good physical & mental health.
The mission of Americans for Safe Access (ASA) is to ensure safe and legal access to cannabis (marijuana) for therapeutic use and research.
TEXANS FOR SAFE ACCESS ~ share the mission of their national organization, Americans for Safe Access (ASA), which is to ensure safe and legal access to cannabis (marijuana) for therapeutic use and research, for all Texans.
Stay safe & stay happy. God bless.
Nico Murillo Bio ~ Americans & Texans for Safe Access ~ Medical Cannabis