My rating: 5 of 5 stars
While on a family vacation in Acapulco, Gabriel García Márquez became struck with a vision of a story that, in two years, would become the sensational 1967 novel called One Hundred Years of Solitude.
The story involves the life of the Buendía family over roughly one hundred years in the town of Macondo, and Márquez’s writing reflects his culture and heritage, often moving in a downward spiral that folds back on itself rather than a linear approach often found in American literature.
E.L. Doctorow explains that most “American writers have always been disposed to move along at a snappier pace than their European counterparts. But the minimal use of exposition does suppose a kind of filmic compact between writer and reader, that everything will become clear eventually” (50).
Despite the often crawling pace of Márquez’s South-American prose, which also includes a straight-faced magic realism, he is able to bring characters, who often have a lasting impact,alive in just one sentence, and convey extraordinary events clearly and convincingly.
Characters are the heart of the story and although their action and dialogue can make or break a plot, it is their vivid emergence onto the scene of the fictive dream that must be handled with alacrity. “Nearly every one can be summed up in a sentence,” writes E.M. Forster in Aspects of the Novel, “and yet there is this wonderful feeling of human depth” (71).
Márquez’s novel is an extensive history filled with countless characters, and most are memorable because of how he introduces them with such clarity and power that they are not easily forgotten. The first example is for a major character that is referenced throughout the novel unto its end.
Márquez writes: “A heavy gypsy with an untamed beard and sparrow hands, who introduced himself as Melquíades, put on a bold public demonstration of what he himself called the eighth wonder of the learned alchemists of Macedonia” (1).
Márquez does this with every character he writes into the story, and this last example is for Petra Cotes described as “a clean young mulatto woman with yellow almond-shaped eyes that gave her face the ferocity of a panther, but she had a generous heart and a magnificent vocation for love” (188).
The depth through brevity is what allows these characters to be fully shaped as quickly as possible, and Márquez is a genius at making these characters come alive, mostly fully formed, as they step out onto the stage of the story.
The American novelist CG FEWSTON has been a Visiting Scholar at the American Academy in Rome (Italy), a Visiting Fellow at Hong Kong’s CityU, & he’s a been member of the Hemingway Society, Americans for the Arts, PEN America, Club Med, & the Royal Society of Literature. He’s also a been Fellow of the Royal Society of Arts, Manufactures and Commerce (RSA) based in London.
He’s the author of several short stories and novels. His works include A Father’s Son (2005), The New America: A Collection (2007), The Mystic’s Smile ~ A Play in 3 Acts (2007), Vanity of Vanities (2011), A Time to Love in Tehran (2015), Little Hometown, America (2020); and A Time to Forget in East Berlin (2022).
Forthcoming: Conquergood & the Center of the Intelligible Mystery of Being; and, The Endless Endeavor of Excellence.
He has a B.A. in English, an M.Ed. in Higher Education Leadership (honors), an M.A. in Literature (honors), and an M.F.A. in Creative Writing & Fiction. He was born in Texas in 1979.
You can follow the author on Facebook @ cg.fewston – where he has 470,000+ followers
“Readers of The Catcher in the Rye and similar stories will relish the astute, critical inspection of life that makes Little Hometown, America a compelling snapshot of contemporary American life and culture.”
“Fewston employs a literary device called a ‘frame narrative’ which may be less familiar to some, but allows for a picture-in-picture result (to use a photographic term). Snapshots of stories appear as parts of other stories, with the introductory story serving as a backdrop for a series of shorter stories that lead readers into each, dovetailing and connecting in intricate ways.”
“The American novelist CG FEWSTON tells a satisfying tale, bolstered by psychology and far-ranging philosophy, calling upon Joseph Campbell, J. D. Salinger, the King James Bible, and Othello.”
“In this way, the author lends intellectual heft to a family story, exploring the ‘purity’ of art, the ‘corrupting’ influences of publishing, the solitary artist, and the messy interconnectedness of human relationships.”
GOLD Winner in the 2020 Human Relations Indie Book Awards for Contemporary Realistic Fiction
FINALIST in the SOUTHWEST REGIONAL FICTION category of the 14th Annual National Indie Excellence 2020 Awards (NIEA)
“Fewston’s lyrical, nostalgia-steeped story is told from the perspective of a 40-year-old man gazing back on events from his 1980s Texas childhood…. the narrator movingly conveys and interprets the greater meanings behind childhood memories.”
“The novel’s focus on formative childhood moments is familiar… the narrator’s lived experiences come across as wholly personal, deeply felt, and visceral.”
American Novelist CG FEWSTON
This is my good friend, Nicolasa (Nico) Murillo, CRC, who is a professional chef & a wellness mentor. I’ve known her since childhood & I’m honored to share her story with you. In life, we all have ups & downs, some far more extreme than others. Much like in Canada, in America, the legalization of marijuana has become a national movement, which includes safe & legal access to cannabis (marijuana) for therapeutic use & research for all.
“This is a wellness movement,” Nico explains. The wellness movement is focused on three specific areas: information, encouragement, & accountability.
In these stressful & unprecedented times, it makes good sense to promote & encourage the state or condition of being in good physical & mental health.
The mission of Americans for Safe Access (ASA) is to ensure safe and legal access to cannabis (marijuana) for therapeutic use and research.
TEXANS FOR SAFE ACCESS ~ share the mission of their national organization, Americans for Safe Access (ASA), which is to ensure safe and legal access to cannabis (marijuana) for therapeutic use and research, for all Texans.
Stay safe & stay happy. God bless.
Nico Murillo Bio ~ Americans & Texans for Safe Access ~ Medical Cannabis