It’s Not How Good You Are, It’s How Good You Want to Be (2003) by Paul Arden & the Attitude of Champions

It's Not How Good You Are, It's How Good You Want To BeIt’s Not How Good You Are, It’s How Good You Want To Be by Paul Arden

My rating: 4 of 5 stars

It’s Not How Good You Are, It’s How Good You Want to Be (2003) by Paul Arden is a motivational guide to how to improve one’s own outlook in life and how, as a result, to become great. I actually bought this book because of its title (and what a great title it is) but this book is mainly focused on advertising and meant primarily for consultants working with clients through creative media, branding and slogans. But with most books, however, anyone at any time (even writers) can find something useful to take away and add value to his or her life. And so this is what I found:

As Paul admits, advertising is a form of selling and everyone on this planet is doing it at some point, even priests. He explains:

“You are hustling and selling or trying to make people buy something. Your services or your point of view.

“Tupperware parties, for example. They are selling.

“You clean your car to sell it, showing it to its best advantage.

“People even put bread in the oven to make their houses smell nice when they are trying to sell them.

“The way you dress when going for an interview or a party, or merely putting lipstick on. Aren’t you selling yourself?

“Your priest is selling. He is selling what he believes in. God.

“The point is we are all selling.

“We are all advertising.”

“It is part of life” (p 119).


Paul Arden

And he is right. Selling and advertising comes in all shapes and sizes and in all kinds of packages, not simply with fancy logos or witty slogans.

And Paul remembers one special photo shoot in New York many many years ago when he was working with a Vogue photographer on the Leni Riefenstahl’s Nuba woman brief (see below image) and what happened moments after:

photo-2sm“I remember the moment vividly.

“My feet seemed not to touch the pavement and I thought, ‘I am going to be fired for these pictures.’

“Would I rather be fired for having done them or not be fired having not done them?

“There was no doubt in my mind. I would rather be fired.

“Those few seconds on 74th Street were my greatest moment in advertising.

“When I got back and showed them to my partner he thought I was mad.

“Fortunately the client loved them. ‘This is art,’ he said.

“They won every award there was to be won” (p 116-117).

At times we just have to have faith in what we can’t see or even comprehend, regardless of what others do and say—which is, in effect, popular fashion. Certainly we don’t want to be laughed at, but if we never take risks, how can we expect to succeed? But as Paul, and many others before him, have mentioned, applause and accolades should not be the main aim for creative work.

“Awards are judged in committee by consensus of what is known,” writes Paul.

“In other words, what is in fashion.

“But originality can’t be fashionable, because it hasn’t yet had the approval of the committee.

“Do not try to follow fashion.

“Be true to your subject and you will be far more likely to create something that is timeless.

“That’s where the true art lies” (p 90).

But Paul has much more advice to share. Certainly we have to trust our gut at times in all things we do, have to deviate from the crowd and the standard norm, and to follow our dreams and passions, but we (that is, anyone who wants to excel in life) must get out there and socialize and spread the word about how awesome we are. For writers, this is especially hard to do since most writers are reclusive, pensive and solitary creatures. I know I have had to change, adapt, evolve if you will, and become more social and more outgoing and more enthusiastic about my own brand (see here at, and despite the fact that selling and advertising is happening at light speed thanks to the World Wide Web, it can be difficult to sell yourself. But here is why Paul considers it as an important step in achieving success:


“You are in a bar chatting, you talk yourself up and present your credentials, i.e. your business card.

“You will be accepted as an authority or practitioner of architecture.

“I, on the other hand, with my lack of social skills and reluctance to push myself forward, will be unnoticed. A nobody.

“Unfair as it may seem, this is the reality of life” (p 67).

Basically, as Paul admits, “How you perceive yourself is how others will see you” (p 64). And that is absolutely true. So value yourself. Believe in yourself. And know that you are everything you ever wanted to be and much much more.

But we have to take risks, step outside of our comfort zones, engage exciting but scary opportunities, and, above all, to accept failure as equally as we must accept success if the risk pays off.

Paul elaborates on why risks are a healthy part of being great:

“Risks are a measure of people. People who won’t take them are trying to preserve what they have.

“People who do take them often end up by having more.

“Some risks have a future, and some people call them wrong. But being right may be like walking backwards proving where you’ve been” (p 57).

Taking risks is all about seeking a better life and realizing dreams into reality. Not about failure. If you are afraid of taking risks, then you essentially have decided to willfully step back and bare the burdens of your own failures. Why not step up and take a risk? Who knows what good will come of it?

But if failure does happen, as it often does to those who are successful, we can only blame ourselves. We make the choice to act or to speak or to put ourselves on the line, so we must ultimately understand that there is no one to blame for our failures and mistakes but ourselves alone. But this is, nevertheless, how we grow, mature, become stronger and better individuals. The world will not give us a chance if we cannot first take the blame for our own shortcomings, and this, in a way, is a small step towards being successful.


“If you are involved in something that goes wrong,” Paul writes, “never blame others. Blame no one but yourself.

“If you have touched something, accept total responsibility for that piece of work. If you accept responsibility, you are in a position to do something about it” (p 28).

And that, my friend, is true, liberating freedom—the ability to do something, to be good, to be great.


“All of us want to be good at our jobs, but how good do we really want to be?

“Quite good.


“Very good.

“The best in our field.

“Or the best in the world?

“Talent helps, but it won’t take you as far as ambition.

“Everybody wants to be good, but not many are prepared to make the sacrifices it takes to be great” (p 14).

Are you willing to endure the sacrifices to become great?

And that is the key to success no one ever tells you about—SACRIFICES, what you will have to lose or give up or let go along the way to achieving success and realizing your dreams. At the end of it, I hope and pray, you will not have lost your soul, or your true love, for that matter. Here’s wishing to a better tomorrow and a more loving and forgiving future—for each other and for ourselves.

It’s Not How Good You Are, It’s How Good You Want to Be is a strong recommend because it is extremely motivational (especially if you are a consultant) and a very quick read (it took me about an hour from start to finish, but it may take a speed reader much less time).

So find yourself a copy this holiday season, lean back next to a warm fire, crack the spine or switch on the Kindle and be prepared to be inspired. After all, you are already awesome.


Paul Arden

 Keep reading and smiling…

“Success is going from failure to failure with no loss of enthusiasm.” Winston Churchill

“There are no short cuts to any place worth going.” Beverly Sills

“Those who lack courage will always find a philosophy to justify it.” Albert Camus

“The superior man is distressed by his want (lack) of ability.” Confucius

“Some people take no mental exercise apart from jumping to conclusions.” Harold Acton

“What the mind can conceive, the mind can achieve.” Clement Stone

“Happiness is a singular incentive to mediocrity.” Michel Montaigne

“To become a champion, fight one more round.” James Corbett

“We don’t see things as they are. We see them as we are.” Anais Nin

More quotes like the ones above can be found in Paul’s book on pages 122-123.

Here’s to the next round!





Vanity of Vanities by CG Fewston



CG FEWSTON is an American novelist who is a member of AWP, a member of Americans for the Arts, and a professional member and advocate of the PEN American Center, advocating for the freedom of expression around the world.

CG FEWSTON has travelled across continents and visited such places as Mexico, the island of Guam, Japan, South Korea, Hong Kong, Macau, Viet Nam, Cambodia, Singapore, Thailand, Taipei and Beitou in Taiwan, Bali in Indonesia, and Guilin and Shenzhen and Beijing in China. He also enjoys studying and learning French, Vietnamese, Cantonese and Mandarin.

CG FEWSTON earned an M.Ed. in Higher Education Leadership and Administration (honors), an M.A. in Literature (honors) from Stony Brook University, and an M.F.A. in Creative Writing and Fiction from Southern New Hampshire University, where he had the chance to work with wonderful and talented novelists, such as Richard Adams Carey (author of In the Evil Day, October 2015; and, The Philosopher Fish, 2006) and Jessica Anthony (author of Chopsticks, 2012; and, The Convalescent, 2010) as well as New York Times Best-Selling novelists Matt Bondurant (author of The Night Swimmer, 2012; and, The Wettest County in the World, 2009, made famous in the movie Lawless, 2012) and Wiley Cash (author of A Land More Kind Than Home, 2013; and, This Dark Road to Mercy, 2014).

Among many others, CG FEWSTON’S stories, photographs and essays have appeared in Sediments LiteraryArts Journal, Bohemia, Ginosko Literary Journal, GNU Journal (“Hills Like Giant Elephants”), Tendril Literary MagazinePrachya Review (“The One Who Had It All”), Driftwood Press, The Missing Slate Literary Magazine (“Darwin Mother”), Gravel Literary Journal, Foliate Oak Magazine, The Writer’s DrawerMoonlit Road, Nature Writing, and Travelmag: The Independent Spirit; and for several years he was a contributor to Vietnam’s national premier English newspaper, Tuoi Tre, “The Youth Newspaper.”

You can read more about CG FEWSTON and his writing at &

[ File # csp13641219, License # 2590673 ]Licensed through in accordance with the End User License Agreement ( Can Stock Photo Inc. / andreykuzmin

A TIME TO LOVE IN TEHRAN won GOLD for Literary Classics’ 2015 best book in the category under ”Special Interest” for “Gender Specific – Female Audience”…

Finalist in the 2015 Chatelaine Awards for Romantic Fiction…

Finalist in the 2015 Mystery & Mayhem Novel Writing Contest…

A_Time_to_Love_in_Tehran gold medal


“Fewston delivers an atmospheric and evocative thriller in which an American government secret agent must navigate fluid allegiances and murky principles in 1970s Tehran… A cerebral, fast-paced thriller.”

Kirkus Reviews 

“A TIME TO LOVE IN TEHRAN is a thrilling adventure which takes place in pre-revolutionary Tehran. Author CG FEWSTON provides a unique glimpse into this important historical city and its rich culture during a pivotal time in its storied past. This book is so much more than a love story. Skillfully paired with a suspenseful tale of espionage, A TIME TO LOVE IN TEHRAN is a riveting study of humanity. Replete with turns & twists and a powerful finish, FEWSTON has intimately woven a tale which creates vivid pictures of the people and places in this extraordinary novel.”



CG FEWSTON‘s new novel,

A TIME TO LOVE IN TEHRAN, was published on April 2, 2015 —

10 years to the day of the publication

of his first novella, A FATHER’S SON (April 2, 2005)


“Thus one skilled at giving rise to the extraordinary

is as boundless as Heaven and Earth,

as inexhaustible as the Yellow River and the ocean.

Ending and beginning again,

like the sun and moon. Dying and then being born,

like the four seasons.”

found in Sources of Chinese Tradition, p 5


cg and axton 2015





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