My rating: 5 of 5 stars
The Hero: A Study in Tradition, Myth and Drama (1936) by Lord Raglan is not the kind of book for the casual reader. The Hero is for those serious writers/professors willing to study the craft of writing and storytelling at a much more intellectual level.
“The thesis of this book,” writes Lord Raglan, “is that the traditional narrative, in all its forms, is based not upon historical facts on the one hand or imaginative fictions on the other, but upon dramatic ritual or ritual drama… I then took a number of quasi-historical traditions and showed that there is no valid evidence for their historicity, and that many of them are demonstrably unhistorical. I next gave the evidence for connecting the myth and the folk-tale with ritual, and for believing that the hero-tale is derived from ritual and not from fact” (p 278).
Throughout the book Lord Raglan repeatedly shows that stories such as The Iliad, The Odyssey, The Tale of Troy, the Norse Sagas, Robin Hood, King Arthur, etc., are based on dramatic ritual and the heroes therein are set on 22 key characteristics (a pattern for the traditional hero).
Many heroes that fell into this pattern were from cultures all over the world and from various religions as well. For example: Theseus (20/22), Romulus (18/22), Perseus (18), Pelops (13), Apollo (11), Zeus (15), Moses (20), Watu Gunung (14), Arthur (19), and Robin Hood (19/22). These are but a portion of heroes studied within the book.
Lord Raglan also defines the purpose of myth in relation to the hero. “Myth is ritual projected back into the past,” writes Lord Raglan, “not a historical past of time, but a ritual past of eternity. It is a description of what should be done by a king (priest, chief, or magician) in order to secure and maintain the prosperity of his people, told in the form of a narrative of what a hero–that is, an ideal king, etc.–once did” (p 147).
A writer will take just as much pleasure from this book as a historian might. One of my favorite passages of the book concerns the criterion of a successful writer, and is as follows:
“Nobody can hope to be a successful poet or composer of stories unless he has familiarized himself with a large number of poems or stories of different types, both in their general outlines and in the details of their construction; and the better writers whose works he studies, the better are his own writings likely to be. This simple fact is, of course, the basis of all literary education. In addition, our budding author must, if he is to produce anything possessing the least degree of originality, observe and read a good deal, and thus acquire a large fund of ideas. By drawing upon these he will be able to vary the form and content of his writings; this is the most that he will be able to do, since imagination at its highest is no more than the combination of two or more old ideas to form a new idea” (p 136-137).
One of the reasons why I read this book was for research in my own writing, and to study in further depth the understanding of what makes a lasting and classical narrative and hero. After reading this book, I have learned more about the construct of myth, folk and fairy tales, sagas, the basis for drama and ritual dramas and the success of the age old heroes in narrative form.
Actually, this is one of the most intelligent books I’ve read (to be compared with the works of Tertullian and Cicero and the likes). Therefore, this is a strong recommend for any serious-serious writer who wants to excel, or for any professor diving deeper into the depths of history, philosophy, religion, and literature.
The American novelist CG FEWSTON has been a Visiting Scholar at the American Academy in Rome (Italy), a Visiting Fellow at Hong Kong’s CityU, & he’s a been member of the Hemingway Society, Americans for the Arts, PEN America, Club Med, & the Royal Society of Literature. He’s also a been Fellow of the Royal Society of Arts, Manufactures and Commerce (RSA) based in London. He’s the author of several short stories and novels. His works include A Father’s Son (2005), The New America: A Collection (2007), The Mystic’s Smile ~ A Play in 3 Acts (2007), Vanity of Vanities (2011), A Time to Love in Tehran (2015), Little Hometown, America (2020); A Time to Forget in East Berlin (2022), and Conquergood & the Center of the Intelligible Mystery of Being (2023).
He has a B.A. in English, an M.Ed. in Higher Education Leadership (honors), an M.A. in Literature (honors), and an M.F.A. in Creative Writing & Fiction. He was born in Texas in 1979.
“Conquergood & the Center of the Intelligible Mystery of Being is a captivating new dystopian science fiction novel by CG Fewston, an author already making a name for himself with his thought-provoking work. Set in the year 2183, Conquergood is set in a world where one company, Korporation, reigns supreme and has obtained world peace, through oppression... The world-building in the novel is remarkable. Fewston has created a believable and authentic post-apocalyptic society with technological wonders and thought-provoking societal issues. The relevance of the themes to the state of the world today adds an extra wrinkle and makes the story even more compelling.”
“A spellbinding tale of love and espionage set under the looming shadow of the Berlin Wall in 1975… A mesmerising read full of charged eroticism.”
“An engrossing story of clandestine espionage… a testament to the lifestyle encountered in East Berlin at the height of the Cold War.”
“There is no better way for readers interested in Germany’s history and the dilemma and cultures of the two Berlins to absorb this information than in a novel such as this, which captures the microcosm of two individuals’ love, relationship, and options and expands them against the blossoming dilemmas of a nation divided.”
~ D. Donovan, Senior Reviewer, Midwest Book Review
“A Time to Forget in East Berlin is a dream-like interlude of love and passion in the paranoid and violent life of a Cold War spy. The meticulous research is evident on every page, and Fewston’s elegant prose, reminiscent of novels from a bygone era, enhances the sensation that this is a book firmly rooted in another time.”
“Vivid, nuanced, and poetic…” “Fewston avoids familiar plot elements of espionage fiction, and he is excellent when it comes to emotional precision and form while crafting his varied cast of characters.” “There’s a lot to absorb in this book of hefty psychological and philosophical observations and insights, but the reader who stays committed will be greatly rewarded.”
GOLD Winner in the 2020 Human Relations Indie Book Awards for Contemporary Realistic Fiction
FINALIST in the SOUTHWEST REGIONAL FICTION category of the 14th Annual National Indie Excellence 2020 Awards (NIEA)
“Fewston employs a literary device called a ‘frame narrative’ which may be less familiar to some, but allows for a picture-in-picture result (to use a photographic term). Snapshots of stories appear as parts of other stories, with the introductory story serving as a backdrop for a series of shorter stories that lead readers into each, dovetailing and connecting in intricate ways.”
“The American novelist CG FEWSTON tells a satisfying tale, bolstered by psychology and far-ranging philosophy, calling upon Joseph Campbell, J. D. Salinger, the King James Bible, and Othello.”
“In this way, the author lends intellectual heft to a family story, exploring the ‘purity’ of art, the ‘corrupting’ influences of publishing, the solitary artist, and the messy interconnectedness of human relationships.”
“Fewston’s lyrical, nostalgia-steeped story is told from the perspective of a 40-year-old man gazing back on events from his 1980s Texas childhood…. the narrator movingly conveys and interprets the greater meanings behind childhood memories.”
“The novel’s focus on formative childhood moments is familiar… the narrator’s lived experiences come across as wholly personal, deeply felt, and visceral.”
American Novelist CG FEWSTON
This is my good friend, Nicolasa (Nico) Murillo, CRC, who is a professional chef & a wellness mentor. I’ve known her since childhood & I’m honored to share her story with you. In life, we all have ups & downs, some far more extreme than others. Much like in Canada, in America, the legalization of marijuana has become a national movement, which includes safe & legal access to cannabis (marijuana) for therapeutic use & research for all.
“This is a wellness movement,” Nico explains. The wellness movement is focused on three specific areas: information, encouragement, & accountability.
In these stressful & unprecedented times, it makes good sense to promote & encourage the state or condition of being in good physical & mental health.
The mission of Americans for Safe Access (ASA) is to ensure safe and legal access to cannabis (marijuana) for therapeutic use and research.
TEXANS FOR SAFE ACCESS ~ share the mission of their national organization, Americans for Safe Access (ASA), which is to ensure safe and legal access to cannabis (marijuana) for therapeutic use and research, for all Texans.
Stay safe & stay happy. God bless.
Nico Murillo Bio ~ Americans & Texans for Safe Access ~ Medical Cannabis