My rating: 3 of 5 stars
As much as I love reading Alan Furst’s novels, I am not sure what to think of The Foreign Correspondent (2006). At times it wants to be a spy novel, and at other times a romance novel, and at still other times a novel reporting great moments in history.
The story mostly takes place in Paris (a few scenes take place in Spain, Nazi Germany and Italy) in 1938-1939 and surrounds a clandestine newspaper that fights fascism in Italy as Mussolini’s ties with Hitler strengthens. After a murder/suicide involving the head of one of the émigré newspapers, Carlo Weisz, a reporter working in Spain covering the civil war for Reuters, moves back to Paris and becomes the new editor.
At the opening of the book, Weisz is in Spain when he meets Colonel Ferrara, who is on the losing side of the ongoing war and the Colonel is attempting to flee Spain. Weisz and the Colonel, after the defeat, move to Paris where Weisz writes Ferrara’s ambitious biography called Soldier of Freedom. Weisz is also caught up in clandestine work as the new editor for Liberazione. The basis for this novel, or so it seems, is when Weisz visits Berlin and has a love affair with Christa von Schirren, a married Nazi who becomes Weisz’s great love. By the end of the novel, as the story twirls round and round without any solid direction forward to some definite outcome, Weisz strikes a bargain to work as a spy in exchange for Christa’s freedom out of Germany.
The novel is extremely well-researched and the history of the times and places do come alive and strike a chord of remembrance, but much come out in the end as mere shades of things past. Some of the best scenes were in Berlin, when Weisz has his secret rendezvous with Christa (one of the only characters that truly stands out and remains memorable) and, on his second trip, reports on Hitler’s signing of the Pact of Steel at Ambassadors Hall of the Reich Chancellery on May 22.
Many of the characters and scenes, however, come and go without any real significance, and by the end of the novel an experienced reader can know full-well that the writer has not planned or shaped this novel out with any great diligence (although the research is extraordinary and deserves applause).
This is one problem with professional writers who treat writing more as a job than a craft of art (a common, growing belief in the publishing world is that writers are proletarians and not artists). Some of these kinds of writers get up every day and just begin writing and writing, following mindlessly the characters along on their journey, and by page 250, the writer decides it is finally time for an end to this story.
The Foreign Correspondent doesn’t have a poignant or definite end as one should experience in a novel as well written as this one is. Weisz becomes abandoned in Italy while working undercover, runs into a rich entourage with a yacht (how so convenient) that shuttles him back into Paris, where Christa is waiting for him, and this all within the last five pages out of 273. For me, this book felt to be only half completed, and perhaps it is finished in a later book (this reader cannot say), but any book, in a series or not, should contain a definite beginning, middle, and end.
The Foreign Correspondent has an end, but it seems too easy, too haphazard, too much the hand and force of the writer than the actual fates of the characters presented on the page. Most of this story just winds round and round the main character, unsure of any practical reason for doing anything. Then at the last, the story attempts to be all about the love between Weisz and Christa. I am not so sure.
I will certainly continue to read Furst’s novels for their rich historical presence and espionage and romantic traits, but as for The Foreign Correspondent, a novel that doesn’t really know what it wants to be, I in good faith and conscience cannot recommend it to most readers.
If you’re a fan of Furst and beautifully written historical novels, then certainly read it, but if you’re reading for pleasure, then pass. A weak recommend.
- Master of the Historical Spy Novel (recordedbooksblog.com)
- Alan Furst Novel (Book Acquired, 5.22.2013) (biblioklept.org)
- IN THE MAIL: Alan Furst’s “Mission to Paris” (jpundit.typepad.com)
The American novelist CG FEWSTON has been a Visiting Scholar at the American Academy in Rome (Italy), a Visiting Fellow at Hong Kong’s CityU, & he’s a member of the Hemingway Society, Club Med, and the Royal Society of Literature. He’s also a Fellow of the Royal Society of Arts, Manufactures and Commerce (RSA) based in London.
He’s the author of several short stories and novels. His works include A Father’s Son (2005), The New America: A Collection (2007), The Mystic’s Smile ~ A Play in 3 Acts (2007), Vanity of Vanities (2011), A Time to Love in Tehran (2015), Little Hometown, America: A Look Back (2020); and forthcoming: Conquergood & the Center of the Intelligible Mystery of Being; A Time to Forget in East Berlin; and, The Endless Endeavor of Excellence.
He has a B.A. in English, an M.Ed. in Higher Education Leadership (honors), an M.A. in Literature (honors), and an M.F.A. in Creative Writing & Fiction. He was born in Texas in 1979.
You can follow the author on Facebook @ cg.fewston – where he has 450,000+ followers
“Readers of The Catcher in the Rye and similar stories will relish the astute, critical inspection of life that makes Little Hometown, America a compelling snapshot of contemporary American life and culture.”
“Fewston employs a literary device called a ‘frame narrative’ which may be less familiar to some, but allows for a picture-in-picture result (to use a photographic term). Snapshots of stories appear as parts of other stories, with the introductory story serving as a backdrop for a series of shorter stories that lead readers into each, dovetailing and connecting in intricate ways.”
“The American novelist CG FEWSTON tells a satisfying tale, bolstered by psychology and far-ranging philosophy, calling upon Joseph Campbell, J. D. Salinger, the King James Bible, and Othello.”
“In this way, the author lends intellectual heft to a family story, exploring the ‘purity’ of art, the ‘corrupting’ influences of publishing, the solitary artist, and the messy interconnectedness of human relationships.”
GOLD Winner in the 2020 Human Relations Indie Book Awards for Contemporary Realistic Fiction
FINALIST in the SOUTHWEST REGIONAL FICTION category of the 14th Annual National Indie Excellence 2020 Awards (NIEA)
“Fewston’s lyrical, nostalgia-steeped story is told from the perspective of a 40-year-old man gazing back on events from his 1980s Texas childhood…. the narrator movingly conveys and interprets the greater meanings behind childhood memories.”
“The novel’s focus on formative childhood moments is familiar… the narrator’s lived experiences come across as wholly personal, deeply felt, and visceral.”
American Novelist CG FEWSTON
This is my good friend, Nicolasa (Nico) Murillo, CRC, who is a professional chef & a wellness mentor. I’ve known her since childhood & I’m honored to share her story with you. In life, we all have ups & downs, some far more extreme than others. Much like in Canada, in America, the legalization of marijuana has become a national movement, which includes safe & legal access to cannabis (marijuana) for therapeutic use & research for all.
“This is a wellness movement,” Nico explains. The wellness movement is focused on three specific areas: information, encouragement, & accountability.
In these stressful & unprecedented times, it makes good sense to promote & encourage the state or condition of being in good physical & mental health.
The mission of Americans for Safe Access (ASA) is to ensure safe and legal access to cannabis (marijuana) for therapeutic use and research.
TEXANS FOR SAFE ACCESS ~ share the mission of their national organization, Americans for Safe Access (ASA), which is to ensure safe and legal access to cannabis (marijuana) for therapeutic use and research, for all Texans.
Stay safe & stay happy. God bless.
Nico Murillo Bio ~ Americans & Texans for Safe Access ~ Medical Cannabis