Fiction Pictures

The Foreign Correspondent (2006) by Alan Furst

The story mostly takes place in Paris in 1938-1939.

cg fewstonThe Foreign Correspondent by Alan Furst

My rating: 3 of 5 stars

As much as I love reading Alan Furst’s novels, I am not sure what to think of The Foreign Correspondent (2006). At times it wants to be a spy novel, and at other times a romance novel, and at still other times a novel reporting great moments in history.

cg fewston

The story mostly takes place in Paris (a few scenes take place in Spain, Nazi Germany and Italy) in 1938-1939 and surrounds a clandestine newspaper that fights fascism in Italy as Mussolini’s ties with Hitler strengthens. After a murder/suicide involving the head of one of the émigré newspapers, Carlo Weisz, a reporter working in Spain covering the civil war for Reuters, moves back to Paris and becomes the new editor.

cg fewston
Alan Furst, American Novelist (born 1941)

At the opening of the book, Weisz is in Spain when he meets Colonel Ferrara, who is on the losing side of the ongoing war and the Colonel is attempting to flee Spain. Weisz and the Colonel, after the defeat, move to Paris where Weisz writes Ferrara’s ambitious biography called Soldier of Freedom. Weisz is also caught up in clandestine work as the new editor for Liberazione. The basis for this novel, or so it seems, is when Weisz visits Berlin and has a love affair with Christa von Schirren, a married Nazi who becomes Weisz’s great love. By the end of the novel, as the story twirls round and round without any solid direction forward to some definite outcome, Weisz strikes a bargain to work as a spy in exchange for Christa’s freedom out of Germany.

cg fewston

The novel is extremely well-researched and the history of the times and places do come alive and strike a chord of remembrance, but much come out in the end as mere shades of things past. Some of the best scenes were in Berlin, when Weisz has his secret rendezvous with Christa (one of the only characters that truly stands out and remains memorable) and, on his second trip, reports on Hitler’s signing of the Pact of Steel at Ambassadors Hall of the Reich Chancellery on May 22.

Many of the characters and scenes, however, come and go without any real significance, and by the end of the novel an experienced reader can know full-well that the writer has not planned or shaped this novel out with any great diligence (although the research is extraordinary and deserves applause).

This is one problem with professional writers who treat writing more as a job than a craft of art (a common, growing belief in the publishing world is that writers are proletarians and not artists). Some of these kinds of writers get up every day and just begin writing and writing, following mindlessly the characters along on their journey, and by page 250, the writer decides it is finally time for an end to this story.

cg fewston

The Foreign Correspondent doesn’t have a poignant or definite end as one should experience in a novel as well written as this one is. Weisz becomes abandoned in Italy while working undercover, runs into a rich entourage with a yacht (how so convenient) that shuttles him back into Paris, where Christa is waiting for him, and this all within the last five pages out of 273. For me, this book felt to be only half completed, and perhaps it is finished in a later book (this reader cannot say), but any book, in a series or not, should contain a definite beginning, middle, and end.

The Foreign Correspondent has an end, but it seems too easy, too haphazard, too much the hand and force of the writer than the actual fates of the characters presented on the page. Most of this story just winds round and round the main character, unsure of any practical reason for doing anything. Then at the last, the story attempts to be all about the love between Weisz and Christa. I am not so sure.

cg fewston

I will certainly continue to read Furst’s novels for their rich historical presence and espionage and romantic traits, but as for The Foreign Correspondent, a novel that doesn’t really know what it wants to be, I in good faith and conscience cannot recommend it to most readers.

If you’re a fan of Furst and beautifully written historical novels, then certainly read it, but if you’re reading for pleasure, then pass. A weak recommend.

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cg fewston


cg fewston

The American novelist CG FEWSTON has been a Visiting Scholar at the American Academy in Rome (Italy), a Visiting Fellow at Hong Kong’s CityU, & he’s a been member of the Hemingway Society, Americans for the Arts, PEN America, Club Med, & the Royal Society of Literature. He’s also a been Fellow of the Royal Society of Arts, Manufactures and Commerce (RSA) based in London. He’s the author of several short stories and novels. His works include A Fathers Son (2005), The New America: A Collection (2007), The Mystics Smile ~ A Play in 3 Acts (2007), Vanity of Vanities (2011), A Time to Love in Tehran (2015), Little Hometown, America (2020); A Time to Forget in East Berlin (2022), and Conquergood & the Center of the Intelligible Mystery of Being (2023).

cg fewston

He has a B.A. in English, an M.Ed. in Higher Education Leadership (honors), an M.A. in Literature (honors), and an M.F.A. in Creative Writing & Fiction. He was born in Texas in 1979.

cg fewston
cg fewston

Conquergood & the Center of the Intelligible Mystery of Being is a captivating new dystopian science fiction novel by CG Fewston, an author already making a name for himself with his thought-provoking work. Set in the year 2183, Conquergood is set in a world where one company, Korporation, reigns supreme and has obtained world peace, through oppression... The world-building in the novel is remarkable. Fewston has created a believable and authentic post-apocalyptic society with technological wonders and thought-provoking societal issues. The relevance of the themes to the state of the world today adds an extra wrinkle and makes the story even more compelling.”

cg fewston
cg fewston

“A spellbinding tale of love and espionage set under the looming shadow of the Berlin Wall in 1975… A mesmerising read full of charged eroticism.”

Ian Skewis, Associate Editor for Bloodhound Books, & author of best-selling novel A Murder of Crows (2017)  

“An engrossing story of clandestine espionage… a testament to the lifestyle encountered in East Berlin at the height of the Cold War.”

“There is no better way for readers interested in Germany’s history and the dilemma and cultures of the two Berlins to absorb this information than in a novel such as this, which captures the microcosm of two individuals’ love, relationship, and options and expands them against the blossoming dilemmas of a nation divided.”

~ D. Donovan, Senior Reviewer, Midwest Book Review

A Time to Forget in East Berlin is a dream-like interlude of love and passion in the paranoid and violent life of a Cold War spy. The meticulous research is evident on every page, and Fewston’s elegant prose, reminiscent of novels from a bygone era, enhances the sensation that this is a book firmly rooted in another time.”

~ Matthew Harffy, prolific writer & best-selling historical fiction author of the “Bernicia Chronicles” series

“Vivid, nuanced, and poetic…” “Fewston avoids familiar plot elements of espionage fiction, and he is excellent when it comes to emotional precision and form while crafting his varied cast of characters.” “There’s a lot to absorb in this book of hefty psychological and philosophical observations and insights, but the reader who stays committed will be greatly rewarded.”

cg fewston

GOLD Winner in the 2020 Human Relations Indie Book Awards for Contemporary Realistic Fiction

FINALIST in the SOUTHWEST REGIONAL FICTION category of the 14th Annual National Indie Excellence 2020 Awards (NIEA)

“Readers of The Catcher in the Rye and similar stories will relish the astute, critical inspection of life that makes Little Hometown, America a compelling snapshot of contemporary American life and culture.”

“Fewston employs a literary device called a ‘frame narrative’ which may be less familiar to some, but allows for a picture-in-picture result (to use a photographic term). Snapshots of stories appear as parts of other stories, with the introductory story serving as a backdrop for a series of shorter stories that lead readers into each, dovetailing and connecting in intricate ways.”

~ D. Donovan, Senior Reviewer, Midwest Book Review

“The American novelist CG FEWSTON tells a satisfying tale, bolstered by psychology and far-ranging philosophy, calling upon Joseph Campbell, J. D. Salinger, the King James Bible, and Othello.”

“In this way, the author lends intellectual heft to a family story, exploring the ‘purity’ of art, the ‘corrupting’ influences of publishing, the solitary artist, and the messy interconnectedness of human relationships.”

“Fewston’s lyrical, nostalgia-steeped story is told from the perspective of a 40-year-old man gazing back on events from his 1980s Texas childhood…. the narrator movingly conveys and interprets the greater meanings behind childhood memories.”

“The novel’s focus on formative childhood moments is familiar… the narrator’s lived experiences come across as wholly personal, deeply felt, and visceral.”

cg fewston
cg fewston

American Novelist CG FEWSTON


cg fewston

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To learn more you can visit: Americans For Safe Access & Texans for Safe Access, ASA (if you are in Texas).

The mission of Americans for Safe Access (ASA) is to ensure safe and legal access to cannabis (marijuana) for therapeutic use and research.


TEXANS FOR SAFE ACCESS ~ share the mission of their national organization, Americans for Safe Access (ASA), which is to ensure safe and legal access to cannabis (marijuana) for therapeutic use and research, for all Texans.


Stay safe & stay happy. God bless.


Nico Murillo Bio ~ Americans & Texans for Safe Access ~ Medical Cannabis



cg fewston

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