The Magic Mountain (1924) by Thomas Mann & the Natures of Love & Death
“Death and love—no, I cannot make a poem of them, they don’t go together. Love stands opposed to death.”
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“Death and love—no, I cannot make a poem of them, they don’t go together. Love stands opposed to death.”
“It’s not even accurate to call it the past, for the events related in these pages didn’t occur in the past. The details that have been preserved are already abundant. Sealed in floating bottles, they will hopefully reach the new universe and endure there.”
“And he remembered as one remembers a dream long past how O-lan rested from her work a little while and fed the child richly and the white rich milk ran out of her breast and spilled upon the ground. And this seemed too long past ever to have been.”
“But lately, don’t ask why, I’ve no taste for comedy, no inclination to exercise, even if I had the space, no delight in fire or earth, in words that once revealed a golden world of majestical stars, the beauty of poetic apprehension, the infinite joy of reason.”
“The big question in my mind is not if your mom is coming back. It’s if Pete is, and if I’ll get a chance at having someone like you.”
Even though E.M. Forster’s Aspects of the Novel was first written and used for lectures inside the classroom at Trinity College, Cambridge, I cannot help but to imagine sitting in a stuffy classroom, loosening my collar, briefly staring out the window onto a sunny spring day in 1927 only to be drawn back to a powerful sermon concerning the craft of writing, given by a professional who knew what he was talking about.