My rating: 5 of 5 stars
Apocalyptic Planet by Craig Childs is an ambitious work, spanning several continents and billions of years, and the author maintains an energetic tone that not only beckons the reader into the most mysterious places on Earth, but also warns to the cataclysms that may befall our precious world.
Part travel log and part science guidebook, Apocalyptic Planet is filled with wit, humor, and fascinating facts about the Earth as a living organism and a place filled with various landscapes of desolation.
From Sonora, Mexico – where at dawn, Devin and Childs surf the sands with childlike eyes and hearts of poets, and Devin recites Charles Bukowski:
“We are here to laugh at the odds and live our lives so well that Death will tremble to take us” (p21), and by the end of the book Death does tremble to take Childs as he sores at break-neck speeds down Class 5 rapids in the Tibetan mountains – to glaciers in Northern Patagonia, Chile to howling winds and mammoth whale bones decades old near the Bering Sea, Alaska to Phoenix, Arizona where adeptly Childs reflects and compares the city to Angkor Wat in Cambodia that “experienced hydraulic failure in the twelfth century, its irrigation network and retaining ponds proving too vast to maintain, collapsing just as the region became an agricultural hub for over million people” (p119); and onward, dear traveler, for the Earth is alive and dangerous and beautiful, ever-changing, on to Greenland and the great ice cap where the sage Koni, otherwise known as Konrad Steffen, who explains in response to Global Warming, “If we’ve done anything, we’ve stopped the next glacial period from happening by warming the earth” (p 165).
Childs, a true explorer in every sense of the word, also treks through vast cornfields in Iowa where “leaves as long as a person’s arm draped across one another…and the corn was one kind of green, a sun-shot parrot-feather lime magnifying daylight all the way to the ground” (p 185). One remarkable aspect of this book is Childs’s ability to describe and explain key details of nature and science in such a far cry from all those other boring non-fiction books as dry as the deserts Childs visits. He keeps the adventure and science fresh and relatable. A breath of fresh air for any reader.
But there are warnings along the way. Childs writes, “Most scientist agree that the earth is experiencing such a bottleneck once again. We are either swiftly approaching or well into the sixth mass extinction in earth’s history” (p197-198).
By the end of the book, the author has survived several perilous journeys across the face of this wonderful world, some trips never to be taken by any average reader, and reports the various stages of the world’s development and human species along the way.
The last chapter’s locale is the Atacama Desert, Chile where the salt field and mirages shine as if “stranded in a silver ocean” (p 314).
But what I love most is how much fun Childs makes travel-science (or, “in the field work”) to truly be, as if my inner instincts to reach out and lick the earth, as Childs does as one point, have been asleep for far too long and must be stirred to seek out what unfolds all around us every single day, and to treasure such places and times.
Childs writes, “The earth is a seed planting itself over and over. We are not the gardeners…What we do now, from the inside, determines the vigor of that seed, how long it might live and plant itself again” (p 324).
And after making it out of the salt flat of the Atacama Desert with heat strong enough to sear a dead cow’s flesh to that of bone, “practically fossilized, skin and all” (p 315), Childs and his travel companion, J.T., find themselves back in San Pedro, an oasis. Childs describes with such precision clarity that makes this reader’s desire crawl with envy:
“We were in town for a resupply. Load up water, hire a ride, jump back into the desert. We talked about options, thinking a second night in town might be nice, return to the bonfire for pisco sours, maybe a good Argentine steak beforehand, something to fatten us before the next excursion. Or maybe we’d stay a few nights, or maybe we’d never get out of here, drinking and burning things until we grew donkey ears and had to stay forever” (p 326).
For any reader, in high school or above, Apocalyptic Planet presents the problems of Global Warming and “the end of the world” in such a clear and profound manner that it is hard for the reader not to get sucked in to Craig Childs’s love and admiration for the world around us. A strong recommend for those who enjoy strong, vivid settings and adventure that never grow stale and for those who desire the truth about what is actually happening to our planet.
CG FEWSTON is an American novelist who is a member of AWP, a member of Americans for the Arts, and a professional member and advocate of the PEN American Center, advocating for the freedom of expression around the world.
CG FEWSTON has travelled across continents and visited such places as Mexico, the island of Guam, Japan, South Korea, Hong Kong, Macau, Viet Nam, Cambodia, Singapore, Thailand, Taipei and Beitou in Taiwan, Bali in Indonesia, and Guilin and Shenzhen and Beijing in China. He also enjoys studying and learning French, Vietnamese, Cantonese and Mandarin.
CG FEWSTON earned an M.Ed. in Higher Education Leadership and Administration (honors), an M.A. in Literature (honors) from Stony Brook University, and an M.F.A. in Creative Writing and Fiction from Southern New Hampshire University, where he had the chance to work with wonderful and talented novelists like Richard Adams Carey (author of In the Evil Day, October 2015; and, The Philosopher Fish, 2006) and Jessica Anthony (author of Chopsticks, 2012; and, The Convalescent, 2010) as well as New York Times Best-Selling novelists Matt Bondurant (author of The Night Swimmer, 2012; and, The Wettest County in the World, 2009, made famous in the movie Lawless, 2012) and Wiley Cash (author of A Land More Kind Than Home, 2013; and, This Dark Road to Mercy, 2014).
Among many others, CG FEWSTON’S stories, photographs and essays have appeared in Sediments Literary–Arts Journal, Bohemia, Ginosko Literary Journal, GNU Journal (“Hills Like Giant Elephants”), Tendril Literary Magazine, Prachya Review (“The One Who Had It All”), Driftwood Press, The Missing Slate Literary Magazine (“Darwin Mother”), Gravel Literary Journal, Foliate Oak Magazine, The Writer’s Drawer, Moonlit Road, Nature Writing, and Travelmag: The Independent Spirit; and for several years he was a contributor to Vietnam’s national premier English newspaper, Tuoi Tre, “The Youth Newspaper.”
You can read more about CG FEWSTON and his writing at
A TIME TO LOVE IN TEHRAN won GOLD for Literary Classics’ 2015 best book in the category under ”Special Interest” for “Gender Specific – Female Audience”…
Finalist in the 2015 Chatelaine Awards for Romantic Fiction…
Finalist in the 2015 Mystery & Mayhem Novel Writing Contest…
Praise for A TIME TO LOVE IN TEHRAN:
“Fewston delivers an atmospheric and evocative thriller in which an American government secret agent must navigate fluid allegiances and murky principles in 1970s Tehran… A cerebral, fast-paced thriller.”
“A TIME TO LOVE IN TEHRAN is a thrilling adventure which takes place in pre-revolutionary Tehran. Author CG FEWSTON provides a unique glimpse into this important historical city and its rich culture during a pivotal time in its storied past. This book is so much more than a love story. Skillfully paired with a suspenseful tale of espionage, A TIME TO LOVE IN TEHRAN is a riveting study of humanity. Replete with turns & twists and a powerful finish, FEWSTON has intimately woven a tale which creates vivid pictures of the people and places in this extraordinary novel.”
CG FEWSTON‘s new novel,
A TIME TO LOVE IN TEHRAN, was published on April 2, 2015 —
10 years to the day of the publication
of his first novella, A FATHER’S SON (April 2, 2005)
“Thus one skilled at giving rise to the extraordinary
is as boundless as Heaven and Earth,
as inexhaustible as the Yellow River and the ocean.
Ending and beginning again,
like the sun and moon. Dying and then being born,
like the four seasons.”
found in Sources of Chinese Tradition, p 5