My rating: 5 of 5 stars
Les Misérables (1862) by Victor Hugo was originally some 1,200 pages at publication, but the modern ”abridged” version that I read was published in 1982 at a lean, precise 400 pages.
The editor makes his remark on the excision of some 800 pages from the classic: ”What is chiefly lost is the novel of ideas, the novel which treats a number of the central problems and interests of nineteenth century France. What remains is a novel of character and action in much clearer outline. Even when the novel was first published discerning critics noted that for all the novel’s power it was diffuse and wordy” (In Introduction, pg ix-x). In other words, in the abridged form of Les Misérables the reader has a more modern novel.
Regardless of more modern tastes by the editors, the character of Jean Valjean is as vivid and memorable as ever and is someone to remember for all ages. The reading is swift and the story is never sagged down by excessive facts or commentary that so many of the classics have, and this is much to do with the abridged version as anything else. Immediately the reader knows that they are in the hands of a master storyteller.
Hugo writes of Valjean: ”He beheld his life, and it seemed to him horrible; his soul, and it seemed to him frightful. There was, however, a softened light upon that life and upon that soul. It seemed to him that he was looking upon Satan by the light of Paradise” (p 38).
Of Cosette, the deft hand of the writer describes her as thus: ”In the place she was called The Lark. People like figurative names and were pleased thus to name this little being, not larger than a bird, trembling, frightened, and shivering, awake every morning first of all in the house and the village. Only the poor lark never sang” (p 47).
What a powerful last line!
Most everyone knows the plot, but if you happen to have missed this great story it is quite simple.
Jean Valjean is released from prison after 19 years (he stole a loaf of bread and tried to escape several times which lengthened his sentence). He cannot find work. He is no longer accepted into society. He even steals from a kind bishop. The Bishop, however, forgives him and gives Valjean the silver in exchange for the man to do good in the world. Valjean takes the silver, evades the parol officers, and vanishes.
Almost two decades later, Valjean is the owner of a successful business and becomes a mayor. All would be well if not for the hungry eyes of the law. Valjean’s antagonist is Javert, a truly splendid villain if ever there was one. Here we have Hugo’s unique perception of inverting the hero and villain. In Hugo’s story the villain is the police officer (which is usually viewed in society as a hero) and the hero of Hugo’s story is Valjean (an ex-con, which convicts are often seen as the villain). The genius of Hugo’s mind does not stop there.
Valjean, in order to save another man’s life, admits his true identity to a very shocked court.
”It was evident that Jean Valjean was before their eyes. That fact shone forth. The appearance of this man had been enough fully to clear up the case, so obscure a moment before. Without need of any further explanation, the multitude, as by a sort of electric revelation, comprehended instantly, and at a single glance, this simple and magnificent story of a man giving himself up that another might not be condemned in his place. The details, the hesitation, the slight reluctance possible were lost in this immense, luminous fact… He went out, and the door closed as it had opened, for those who do deeds sovereignly great are always sure of being served by somebody in the multitude” (p 93-94).
Valjean is later arrested by Javert, but not before Valjean is able to bury his fortune in the woods. Valjean is in prison and saves a man from dying, but then escapes by jumping into the sea. The police believe Valjean dead.
Valjean escapes, retrieves his fortune, and adopts Cosette, whose mother had died and willed Valjean to care for her daughter.
Once the girl is grown, she falls in love with a young man named Marius. Marius is later caught up in the French Revolution, and is shot in a skirmish. Valjean saves Marius and takes the young man to his grandfather’s house. Eventually, Marius marries Cosette.
Valjean, out of guilt, confesses to Marius who he really is and that he must not share in Cosette’s happiness any longer. Any moment the law could come arrest Valjean, bringing shame to Marius and his entire household.
”From what motive, indeed, does this convict come and say: I am a convict? Well, yes! the motive is strange. It is from honor. I could have lied, it is true, have deceived you all, have remained Monsieur Fauchelevent. As long as it was for her, I could lie; but now it would be for myself, I must not do it. It was enough to remain silent, it is true, and everything would continue. You ask me what forces me to speak? a strange thing; my conscience” (p 362). ‘
Marius rebukes Valjean, while Marius still does not know who saved him from the battle. Valjean, however, responds by giving his fortune to Cosette and her new husband, Marius.
Valjean, ostracized, grows weak. His fatherly love for Cosette and the absence they now share is too much for him. Valjean begins to die. Then, Marius discovers the truth behind Valjean’s honor and how the old man saved him and together with Cosette Marius find Valjean at the brink of death.
Valjean: ”No; God thought as you and I did, and he has not changed his mind; it is best that I should go away. Death is a good arrangement. God knows better than we do what we need” (p 395).
The abridged version ends slightly different than the original but I think it is nevertheless a remarkable ending and stops when it should stop:
”This stone is entirely blank. The only thought in cutting it was of the essentials of the grave, and there was no other care than to make this stone long enough and narrow enough to cover a man. No name can be read there” (p 400).
Whether you decide to pick up the original 1,200 page volume or the swift and sharp 400 page version of Les Misérables, it will always be a strong and worthy recommend.
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The American novelist CG FEWSTON has been a Visiting Scholar at the American Academy in Rome (Italy), a Visiting Fellow at Hong Kong’s CityU, & he’s a member of the Hemingway Society, Club Med, and the Royal Society of Literature. He’s also a Fellow of the Royal Society of Arts, Manufactures and Commerce (RSA) based in London.
He’s the author of several short stories and novels. His works include A Father’s Son (2005), The New America: A Collection (2007), The Mystic’s Smile ~ A Play in 3 Acts (2007), Vanity of Vanities (2011), A Time to Love in Tehran (2015), Little Hometown, America: A Look Back (2020); and forthcoming: Conquergood & the Center of the Intelligible Mystery of Being; A Time to Forget in East Berlin; and, The Endless Endeavor of Excellence.
He has a B.A. in English, an M.Ed. in Higher Education Leadership (honors), an M.A. in Literature (honors), and an M.F.A. in Creative Writing & Fiction. He was born in Texas in 1979.
You can follow the author on Facebook @ cg.fewston – where he has 450,000+ followers
“Readers of The Catcher in the Rye and similar stories will relish the astute, critical inspection of life that makes Little Hometown, America a compelling snapshot of contemporary American life and culture.”
“Fewston employs a literary device called a ‘frame narrative’ which may be less familiar to some, but allows for a picture-in-picture result (to use a photographic term). Snapshots of stories appear as parts of other stories, with the introductory story serving as a backdrop for a series of shorter stories that lead readers into each, dovetailing and connecting in intricate ways.”
“The American novelist CG FEWSTON tells a satisfying tale, bolstered by psychology and far-ranging philosophy, calling upon Joseph Campbell, J. D. Salinger, the King James Bible, and Othello.”
“In this way, the author lends intellectual heft to a family story, exploring the ‘purity’ of art, the ‘corrupting’ influences of publishing, the solitary artist, and the messy interconnectedness of human relationships.”
GOLD Winner in the 2020 Human Relations Indie Book Awards for Contemporary Realistic Fiction
FINALIST in the SOUTHWEST REGIONAL FICTION category of the 14th Annual National Indie Excellence 2020 Awards (NIEA)
“Fewston’s lyrical, nostalgia-steeped story is told from the perspective of a 40-year-old man gazing back on events from his 1980s Texas childhood…. the narrator movingly conveys and interprets the greater meanings behind childhood memories.”
“The novel’s focus on formative childhood moments is familiar… the narrator’s lived experiences come across as wholly personal, deeply felt, and visceral.”
American Novelist CG FEWSTON
This is my good friend, Nicolasa (Nico) Murillo, CRC, who is a professional chef & a wellness mentor. I’ve known her since childhood & I’m honored to share her story with you. In life, we all have ups & downs, some far more extreme than others. Much like in Canada, in America, the legalization of marijuana has become a national movement, which includes safe & legal access to cannabis (marijuana) for therapeutic use & research for all.
“This is a wellness movement,” Nico explains. The wellness movement is focused on three specific areas: information, encouragement, & accountability.
In these stressful & unprecedented times, it makes good sense to promote & encourage the state or condition of being in good physical & mental health.
The mission of Americans for Safe Access (ASA) is to ensure safe and legal access to cannabis (marijuana) for therapeutic use and research.
TEXANS FOR SAFE ACCESS ~ share the mission of their national organization, Americans for Safe Access (ASA), which is to ensure safe and legal access to cannabis (marijuana) for therapeutic use and research, for all Texans.
Stay safe & stay happy. God bless.
Nico Murillo Bio ~ Americans & Texans for Safe Access ~ Medical Cannabis