Going After Cacciato (1978) by Tim O’Brien
O’Brien’s Going After Cacciato is a masterful work of art that incorporates a powerful story brought to life and vivid characters that stand out and above the norm.
Tag: historical novel
Don Quixote (Part I, 1605 & Part II, 1615) by Miguel de Cervantes
In all the literature in all the world, never was there a character like Don Quixote to have predicted his own fame.
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Candide (1759) by Voltaire [François-Marie Arouet]
By keeping it to a much smaller scale, Voltaire is able to enforce magnetic and grandiose ideas in a line equivalent to a line in poetry.
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*** 100th Post *** WHY I WRITE: Thoughts on the Craft of Fiction (1998) edited by Will Blythe
Writers write to feed that demon-babe who cries out from the misery the world has inflicted upon it. Hemingway and Orwell wanted to use their gifts to help change the world for the better. And the world, I believe, is glad they did.
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Frankenstein (1818) by Mary Shelley
Many readers who cross the literary environs and pages of Frankenstein, or The Modern Prometheus by Mary Shelley (1818) will close the last pages of the book and consider Victor Frankenstein as one who is tragically flawed.
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Aspects of the Novel (1927) by E.M. Forster
Even though E.M. Forster’s Aspects of the Novel was first written and used for lectures inside the classroom at Trinity College, Cambridge, I cannot help but to imagine sitting in a stuffy classroom, loosening my collar, briefly staring out the window onto a sunny spring day in 1927 only to be drawn back to a powerful sermon concerning the craft of writing, given by a professional who knew what he was talking about.
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Blood Meridian (1985) by Cormac McCarthy
In Blood Meridian, Cormac McCarthy provides the reader with an overwhelming experience of cowboys roaming the range in search of scalps, either Mexican or American Indians.
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The Art of Fiction (1984) by John Gardner
In The Art of Fiction’s preface, Gardner writes: “About all that is required is that the would-be writer understand clearly what it is that he wants to become and what he must do to become it.”
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One Hundred Years of Solitude (1967) by Gabriel García Márquez
One Hundred Years of Solitude (1967) by Gabriel García Márquez is a brilliant book by a true master, storyteller and magician. While on a family vacation in Acapulco, Gabriel García Márquez became struck with a vision of a story that, in two years, would become the sensational novel called One Hundred Years of Solitude.
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Disgrace (1999) by J.M. Coetzee
Not only has Coetzee brought David’s character to life and allowed to live his own life the way the character desires, the reader is simultaneously not repulsed but compelled to keep reading, keep digging, keep hoping like David that punishment will not go on forever.
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Dracula (1897) by Bram Stoker
”The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood.”
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Cormac McCarthy’s Never-Ending, Questionary Road (2014) by American Novelist CG FEWSTON
In most of Cormac McCarthy’s books there is usually a male character on some sort of quest.
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The Hero with a Thousand Faces (1949) by Joseph Campbell
The Hero with a Thousand Faces (1949) by Joseph Campbell is the book that awakened in writers and storytellers in publishing and in screenwriting to the larger scope of mythology as metaphor and to the underlining structure of stories.
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The Masks of God, Vol. III: Occidental Mythology (1964) by Joseph Campbell
The Masks of God, Vol. III: Occidental Mythology (1964) by Joseph Campbell casts a large net over what it is to hold a Western faith in distinction from an Eastern faith and how such distinctions developed among the varied belief systems over the ages.
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How to Read Novels Like a Professor (2008) by Thomas C. Foster
‘What we call a novel,” writes Foster, ”would nearly everywhere in non-Anglophone Europe be a roman. That term derives from romanz, the universal term for lengthy narratives in verse prior to the age of print.
