Tag: Joseph Campbell

Fiction Non-Fiction Pictures

The Masks of God, Vol. IV: Creative Mythology (1968) by Joseph Campbell & the Quest for the Holy Grail

“The artist lives thus in two worlds — as do we all; but he, in so far as he knows what he is doing, in a special state of consciousness of this micromacrocosmic crucifixion that is life on earth and is perhaps, also, the fire of the sun, stars, and galaxies beyond.”

Fiction Film Non-Fiction Pictures Videos

Beowulf (?) by ? [&] Grendel (1971) by John Gardner

”The name Beowulf itself, ‘bee-wolf,’ apparently meaning bear, suggests affinities with a widely known folktale figure of prodigious strength, the Bear’s Son, the distribution of whose appearances, in North America as well as Eurasia, points to a background in that primordial cult of reverence for the bear discussed in Primitive Mythology, and which is still observed among the Ainus of Japan.”

Fiction Film Non-Fiction Videos

Dracula (1897) by Bram Stoker

”The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood.”

Non-Fiction

The Hero with a Thousand Faces (1949) by Joseph Campbell

The Hero with a Thousand Faces (1949) by Joseph Campbell is the book that awakened in writers and storytellers in publishing and in screenwriting to the larger scope of mythology as metaphor and to the underlining structure of stories.

Non-Fiction

The Masks of God, Vol. III: Occidental Mythology (1964) by Joseph Campbell

The Masks of God, Vol. III: Occidental Mythology (1964) by Joseph Campbell casts a large net over what it is to hold a Western faith in distinction from an Eastern faith and how such distinctions developed among the varied belief systems over the ages.

Non-Fiction Pictures

The Masks of God, Vol. I: Primitive Mythology (1959) by Joseph Campbell

One of the last sections is “The Functioning of Myth” and Campbell goes into great deal to extrapolate the introductory section. “The ends for which men strive in the world,” writes Campbell, “are three — no more, no less; namely: love and pleasure (kāma), power and success (artha: pronounced ‘art-ha’), and lawful order and moral virtue (dharma).”