“Suppose a vast number of civilizations are distributed throughout the universe, on the order of the number of detectable stars. Lots and lots of them. Those civilizations make up the body of a cosmic society. Cosmic sociology is the study of the nature of this super-society” (p 12).
”The artist lives thus in two worlds–as do we all; but he, in so far as he knows what he is doing, in a special state of consciousness of this micromacrocosmic crucifixion that is life on earth and is perhaps, also, the fire of the sun, stars, and galaxies beyond.”
The Hero with a Thousand Faces (1949) by Joseph Campbell is the book that awakened in writers and storytellers in publishing and in screenwriting to the larger scope of mythology as metaphor and to the underlining structure of stories.