A Warrior of the Light “is someone capable of understanding the miracle of life, of fighting to the last for something he believes in—and of hearing the bells that the waves set ringing on the seabed.”
If you think Khaled is the boy Amir who witnesses his servant and childhood friend, Hassan, being anally raped in an alley and does nothing and then seeks a life-long journey of redemption, then I am afraid your credulity may make it difficult to separate fact from fiction in any story or event.
Stephen Crane’s novel, The Red Badge of Courage, is a master example of an author choosing to simplify his sentences while maintaining an impressionistic style filled with clear images. The blend of the two craft elements, simplification used to express vividness, are what makes The Red Badge of Courage an American classic.
Even though E.M. Forster’s Aspects of the Novel was first written and used for lectures inside the classroom at Trinity College, Cambridge, I cannot help but to imagine sitting in a stuffy classroom, loosening my collar, briefly staring out the window onto a sunny spring day in 1927 only to be drawn back to a powerful sermon concerning the craft of writing, given by a professional who knew what he was talking about.