Desert Solitaire (1968) by Edward Paul Abbey
Edward Abbey, “the patron saint of the radical environmental movement,” is one nature writer that includes many classifications found in nature writing into one seamless book.
Category: Non-Fiction
**Author Spotlight** Sherwood Berton Anderson [ 115th Post ] by CG FEWSTON
Like all writers from the moment they put pen to paper, Anderson desired to be a great writer; however, much of his life was spent as a middle-class businessman in Ohio and Virginia, later becoming the owner of Marion Publishing Company and the owner and editor of two newspapers.
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Silent Spring (1962) by Rachel Carson & the Hope of Saving the Planet
In “Rivers of Death” Carson continues the onslaught of scientific facts which illustrate how pesticides and insecticides not only destroy the land but how they also contaminate water supplies, indirectly poisoning human beings.
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**Author Spotlight** Margaret Atwood by Prof. CG FEWSTON
Atwood studied Moodie, wrote about Moodie, and both Atwood and Moodie lived and wrote about the Canadian wild and the female who is transformed by it. However, Moodie is not the only Canadian writer to have influenced Margaret Atwood and the short story “Death by Landscape.”
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The Good Soldier (1915) by Ford Madox Ford
There can be no successful revelation of a reader’s mind merging with that of the author without a strong narrative voice. Without a proper voice, characters fall to one dimensional shades and plot unravels like yarn balls on the floor of the reader’s imagination.
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The French Lieutenant’s Woman (1969) by John Fowles
Don’t Look Now, The French Lieutenant’s Woman. Reverse psychology is a practical ploy for anyone to get an unsuspecting victim to do as he/she desires. But could this tactic work effectively in a novel?
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Don Quixote (Part I, 1605 & Part II, 1615) by Miguel de Cervantes
In all the literature in all the world, never was there a character like Don Quixote to have predicted his own fame.
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*** 100th Post *** WHY I WRITE: Thoughts on the Craft of Fiction (1998) edited by Will Blythe
Writers write to feed that demon-babe who cries out from the misery the world has inflicted upon it. Hemingway and Orwell wanted to use their gifts to help change the world for the better. And the world, I believe, is glad they did.
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Aspects of the Novel (1927) by E.M. Forster
Even though E.M. Forster’s Aspects of the Novel was first written and used for lectures inside the classroom at Trinity College, Cambridge, I cannot help but to imagine sitting in a stuffy classroom, loosening my collar, briefly staring out the window onto a sunny spring day in 1927 only to be drawn back to a powerful sermon concerning the craft of writing, given by a professional who knew what he was talking about.
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Blood Meridian (1985) by Cormac McCarthy
In Blood Meridian, Cormac McCarthy provides the reader with an overwhelming experience of cowboys roaming the range in search of scalps, either Mexican or American Indians.
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The Art of Fiction (1984) by John Gardner
In The Art of Fiction’s preface, Gardner writes: “About all that is required is that the would-be writer understand clearly what it is that he wants to become and what he must do to become it.”
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Master Class in Fiction Writing (2006) by Adam Sexton
Master Class in Fiction Writing (2006) by Adam Sexton is a useful tool and guide along the way of crafting memorable fiction.
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Dracula (1897) by Bram Stoker
”The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood.”
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Cormac McCarthy’s Never-Ending, Questionary Road (2014) by American Novelist CG FEWSTON
In most of Cormac McCarthy’s books there is usually a male character on some sort of quest.
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The Hero with a Thousand Faces (1949) by Joseph Campbell
The Hero with a Thousand Faces (1949) by Joseph Campbell is the book that awakened in writers and storytellers in publishing and in screenwriting to the larger scope of mythology as metaphor and to the underlining structure of stories.
