Where Books and Readers Come Together
If you think Khaled is the boy Amir who witnesses his servant and childhood friend, Hassan, being anally raped in an alley and does nothing and then seeks a life-long journey of redemption, then I am afraid your credulity may make it difficult to separate fact from fiction in any story or event.
An Essay
“We kill our dreams because we are afraid to fight the good fight.”
A book you’d like to keep by your bedside to read a chapter each night before sleep or upon waking early in the morning.
In Blood Meridian, Cormac McCarthy provides the reader with an overwhelming experience of cowboys roaming the range in search of scalps, either Mexican or American Indians.
”The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood.”
In most of Cormac McCarthy’s books there is usually a male character on some sort of quest.
The Hero with a Thousand Faces (1949) by Joseph Campbell is the book that awakened in writers and storytellers in publishing and in screenwriting to the larger scope of mythology as metaphor and to the underlining structure of stories.
A guide for writers based on the work of Joseph Campbell and the years of research and contribution to storytelling Vogler spent in Hollywood.
Who is going to murder Nicola Six?
The classics are “classics” because they are written in a style that is no longer preferred.
One of the last sections is “The Functioning of Myth” and Campbell goes into great deal to extrapolate the introductory section. “The ends for which men strive in the world,” writes Campbell, “are three — no more, no less; namely: love and pleasure (kāma), power and success (artha: pronounced ‘art-ha’), and lawful order and moral virtue (dharma).”
Much of the book is loosely based on experiences of racism in Monroeville, Alabama.
Reading Lolita in Tehran by Dr. Azar Nafisi is a memoir of a woman teaching literature in Islamic Iran.
A Poem
